




Painting, Acrylic on Canvas
55.1 W x 47.2 H in
Ships in a Crate
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
Mediums:
Painting, Acrylic on Canvas
Rarity:
One-of-a-kind Artwork
Size:
55.1 W x 47.2 H x 1 D in
Ready to Hang:
Not Applicable
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Crate
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Netherlands.
Need more information?
Contact us.Need more information?
Contact us.Mikel van Gelderen (1963) lives and works in Amsterdam. He combined working as an artist with working as an
architects and scenographic installations for theatre maker Tjyying Liu. His architectural and scenographic work is closely linked to his visual art.
With his landscapes, Mikel van Gelderen depicts imaginary nature fantasies that lure the viewer into introspection. The works are made of acrylic and charcoal on paper or canvas.
'When I paint or draw landscapes in my studio, I create images that I have never thought of in exactly the same way. I react to what I see emerging on the canvas. The act of making itself is guiding the process. First an intuitive, ardent and almost ecstatic setup is made. This is a physical tour de force, in which the whole body moves along as if in a dance. Then, after a long period of reflection, in peace and quiet, sitting on a stool, details are meticulously applied with charcoal. The properties of the material influence the effect: flowing diluted paint, thick splotches, pasty applied, aggressive pigments, dry soft charcoal, they all participate. The landscape creates its own world with its own logic. The image is easy readable as a landscape. When figurative elements can be recognized, they are less likely to lose their ambivalence; they can never be interpreted unambiguously.
The landscapes is made up of air, water, plains and greenery. These elements consist of sky, clouds, rain or sunlight, and rivers, streams, lakes or sea, and fields, hills, mountains, stone or sand, and trees, groves, shrubs, reeds, grass or flowers, etc. These natural components are organically shaped and organically created. An analogy is sought between the creation of the landscape and the creation of the painting. The canvases are two-dimensional and have specific dimensions, usually almost square but not exactly. The landscapes on the canvases are scale less, a stone can be read as a large mountain or vice versa. A branch as a tree or vice versa. Some can be read as a micro-landscape, some as underwater landscape.
Although the natural landscape is organic, it does not depict an organism. An organism is an autonomous entity. A landscape is infinite and eternal.
When you are in a landscape and try to draw the view accurately or less accurately, an image of this landscape is created. Something spatial is depicted two-dimensionally. The image is always an interpretation. But an essential difference remains in the experience of space.
Recognition:
Artist featured in a collection

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