




Painting, Acrylic on Canvas
9.8 W x 11.8 H in
Ready to Hang
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ABOUT THE ARTWORK
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TECHNIQUE: sketch with pencil, traced out with ink, painted in acrylic then designed with calligraphy pen and black ink ESÙ Ẹlẹ́ṣù, Alágbára Àgbélébùbú 🔥 Esù, the divine messenger and guardian of the crossroads the one who stands between paths, choices, and destinies. He is cunning, wise, unpr...
Year Created:
2026
Subject:
Mediums:
Painting, Acrylic on Canvas
Rarity:
One-of-a-kind Artwork
Size:
9.8 W x 11.8 H x 1.2 D in
Ready to Hang:
Yes
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Nigeria.
Need more information?
Contact us.Need more information?
Contact us.Adeyinka Ifeoluwapo Abimbola, professionally known as Ifetaofic, is a Nigerian contemporary artist and the founder of Ifetaofic Studio.
Working across painting, pen-and-ink, and mixed media, his practice is rooted in the belief that art can preserve culture, inspire dialogue, and connect people across borders. Drawing on Yoruba heritage, folklore, traditional beliefs, symbolism, and everyday human experience, he creates works that honour the past while speaking to the present.
Rather than treating African culture as history, Ifetaofic reimagines it through a contemporary visual language. His paintings explore themes of identity, memory, resilience, spirituality, belonging, and transformation—universal experiences that resonate regardless of culture or geography.
Over the past decade, his work has been exhibited across Nigeria, Ghana, Togo, and Niger through galleries, museums, cultural institutions, educational workshops, and international exhibitions. These experiences have strengthened his commitment to using art as a bridge between communities and generations.
Today, through Ifetaofic Studio and international representation in the United Kingdom, his practice is entering a new chapter—building connections between West African artistic heritage and collectors, institutions, and audiences around the world.
His vision is simple yet ambitious: to ensure that African stories are not only preserved but appreciated globally through contemporary art that invites conversation, reflection, and human connection.
Every artwork is more than a painting; it is an invitation to experience a story.

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