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On 29 September 2020 I started working on this work, which I had been thinking about for about a year. I don't want to run into easy conspiracy now, or that "strange" intuition faculty that artists have, but continuing to work on it, I reflected that after all, if a lesson we can learn from that revolution of customs brought by covid 19, is that of sit down, to consider, in the contemplation of ourselves and the world around us, to seek a new harmony, being aware that we are a grain of sand, a part of a "Unicum". The table, which took me quite a bit in the drafting for some second thoughts, I finished it at the end of December 2020, but I waited for the new year to begin, 2021, to sign it, with that bisest and fatal year I don't want have more to do with it ...
Four people, probably monks, perhaps Buddhists, hover in the air, together, united, in a gesture that is of detachment from the world, rising from a muddy marsh where plants of lotus flowers, of purity, of knowledge thrive. concentrating their gaze towards their navel, towards themselves, they know that they are part of a whole.
On 29 September 2020 I started working on this work, which I had been thinking about for about a year. I don't want to run into easy conspiracy now, or that "strange" intuition faculty that artists have, but continuing to work on it, I reflected that after all, if a lesson we can learn from that revolution of customs brought by covid 19, is that of sit down, to consider, in the contemplation of ourselves and the world around us, to seek a new harmony, being aware that we are a grain of sand, a part of a "Unicum". The table, which took me quite a bit in the drafting for some second thoughts, I finished it at the end of December 2020, but I waited for the new year to begin, 2021, to sign it, with that bisest and fatal year I don't want have more to do with it ...
Four people, probably monks, perhaps Buddhists, hover in the air, together, united, in a gesture that is of detachment from the world, rising from a muddy marsh where plants of lotus flowers, of purity, of knowledge thrive. concentrating their gaze towards their navel, towards themselves, they know that they are part of a whole.
On 29 September 2020 I started working on this work, which I had been thinking about for about a year. I don't want to run into easy conspiracy now, or that "strange" intuition faculty that artists have, but continuing to work on it, I reflected that after all, if a lesson we can learn from that revolution of customs brought by covid 19, is that of sit down, to consider, in the contemplation of ourselves and the world around us, to seek a new harmony, being aware that we are a grain of sand, a part of a "Unicum". The table, which took me quite a bit in the drafting for some second thoughts, I finished it at the end of December 2020, but I waited for the new year to begin, 2021, to sign it, with that bisest and fatal year I don't want have more to do with it ...
Four people, probably monks, perhaps Buddhists, hover in the air, together, united, in a gesture that is of detachment from the world, rising from a muddy marsh where plants of lotus flowers, of purity, of knowledge thrive. concentrating their gaze towards their navel, towards themselves, they know that they are part of a whole.
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ESTASI TRASCENDENTALE Painting

Gianni Mucè

Italy

Painting, Oil on Wood

Size: 39 W x 27 H x 1 D in

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About The Artwork

On 29 September 2020 I started working on this work, which I had been thinking about for about a year. I don't want to run into easy conspiracy now, or that "strange" intuition faculty that artists have, but continuing to work on it, I reflected that after all, if a lesson we can learn from that revolution of customs brought by covid 19, is that of sit down, to consider, in the contemplation of ourselves and the world around us, to seek a new harmony, being aware that we are a grain of sand, a part of a "Unicum". The table, which took me quite a bit in the drafting for some second thoughts, I finished it at the end of December 2020, but I waited for the new year to begin, 2021, to sign it, with that bisest and fatal year I don't want have more to do with it ... Four people, probably monks, perhaps Buddhists, hover in the air, together, united, in a gesture that is of detachment from the world, rising from a muddy marsh where plants of lotus flowers, of purity, of knowledge thrive. concentrating their gaze towards their navel, towards themselves, they know that they are part of a whole.

Details & Dimensions

Painting:Oil on Wood

Original:One-of-a-kind Artwork

Size:39 W x 27 H x 1 D in

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Born in Villabate (Palermo ,Italy) and after the first vernissage in Palermo in 1977, for thirty years living and working in Florence, with a painter and graphic and exhibitions in various Italian and foreign cities and present in collections in Los Angeles, Milan, Palermo, Buenos Aires; Houston. Painter of ideas and dream situations where dreams emerge and references to past... I've been painting since I was fifteen. I am proud to be self-taught, not to have attended any art school, to have learned everything that I would like to give and to learn from my mistakes. Like in art, so in life. I define myself as a painter of ideas, mine. In the sense that I try to give a face and a stage to situations, people, things, facts that I imagined or only lived or that in any case have merged in my experiences. I have made up to now more than 900 works, which considering the care and the meticulousness with which I work is a nice goal for me. I have decided to include here some works of my property, with the title also the year of execution to give the idea of a journey through the various meanders of art. I started painting very young and went through various styles of painting. Without ever neglecting the dreamlike aspect. In recent years I identify more with the surreal aspect of reality in which we live.

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