"Interconnectedness" Painting
Painting, Oil on Canvas
28 W x 48 H in
Ready to Hang
$4,320
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I want my works to communicate the interconnectedness that every living & non-living beings share. We experience this connection in one way or another, and we all co-exist meaningfully and beautifully. My colours also represent the same; they all coexist on the canvas, depending on each other to b...
Year Created:
2021
Subject:
Mediums:
Painting, Oil on Canvas
Rarity:
One-of-a-kind Artwork
Size:
28 W x 48 H x 2 D in
Ready to Hang:
Yes
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Crate
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
India.
Customs:
Shipments from India may experience delays due to country's regulations for exporting valuable artworks.
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Venkatesh Balasubramaniam (b. 1978) is a Chennai-based painter. His practice explores perception, image-making and the instability of what we see.
He trained at the Government College of Fine Arts, Chennai, earning a BFA (1998) and MFA (2001) in Painting. In 1996 he co-founded Genesis, Madras Art Moment, a collective of five Chennai artists. Early recognition included the Tamil Nadu Arts and Crafts Award for Painting (1994) and State Awards for Pen and Ink Drawing (1995) and Painting (1997). From 1998 to 2011 he also created commissioned murals, paintings, sculpture and mixed-media works with architects, interior designers and private clients. His works are held in collections in India and abroad.
His current work is made in two stages. First, he builds a painting in thick layers of acrylic with palette knives, letting gesture, scraping and chance shape the surface. Then, once the painting looks finished, he cuts it into strips and fragments and reassembles them into a new composition. The original is not destroyed. It lives inside the new image, transformed but not erased.
The paintings sit between recognition and uncertainty. They don’t ask for the right interpretation. They ask what happens when we look again.
This series, What You See Is What You See?, was shown in “Living in Interesting Times: 30 Years of Genesis” at Gallery Veda, Chennai (2026).
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