"Libertango" Painting
Painting, Oil on Canvas
43.3 W x 39.4 H in
Ready to Hang
$10,650
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Originally created for a landmark 2007 exhibition at the Tbilisi State Conservatoire. This work was born from a unique collaboration between the Tbilisi State Academy of Arts and the Conservatoire, pairing graduating students for a fusion of disciplines. The painting served as the primary visual anc...
Year Created:
2009
Subject:
Styles:
Mediums:
Painting, Oil on Canvas
Rarity:
One-of-a-kind Artwork
Size:
43.3 W x 39.4 H x 0.8 D in
Ready to Hang:
Yes
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Crate
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Georgia.
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Levan Beriashvili (b. 1986, Tbilisi) is a multidisciplinary artist. After graduating from the Tbilisi State Academy of Arts (TSSA) in 2007, he developed a versatile practice spanning oil painting, conceptual text, video and installation.
Since his 2007 collaboration with pianist Khatia Buniatishvili at the Tbilisi State Conservatoire, his work has been exhibited internationally, including solo and group exhibitions in Georgia, Germany, Bulgaria, the Czech Republic, Greece, and Turkey.
Between 2010 and 2015, he translated over 200 film scripts for television—an experience that recalibrated his visual sensitivity and introduced a distinctly cinematic awareness into his work.
Beriashvili further refined his technical and conceptual approach during his MFA studies at Jan Evangelista Purkyně University in Ústí nad Labem (2016–2018).
Statement
At its core, my multidisciplinary practice is shaped by the suburban environment of Tbilisi. My work engages with dissonance between cultural center and periphery.
I am interested in how objective spaces—maps, walls, and built structures—interact with subjective, emotional experience. These environments are not neutral; they accumulate presence, memory, and pressure over time.
I explore what architecture retains and how it responds, often silently, to the people who inhabit it.
Recognition:
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