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Painting, Oil on Canvas

39.4 W x 39.4 H in

Ready to Hang

$4,800

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

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“Octopus” is the final, twelfth painting in the series “The Pathos of Bureaucracy” — a bitterly ironic full stop rather than a silent ending. The octopus is an allegory of a corrupt telephone apparatus: a system that speaks politely while acting through its tentacles of control. There is no way to b...

Year Created:

2025

Subject:

Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

39.4 W x 39.4 H x 0.8 D in

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Ukraine.

Customs:

Shipments from Ukraine may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Anastasiia Grygorieva

About the Artist

Anastasiia Grygorieva

Ukraine

Dear viewer, collector, or simply a dreamer,
My name is Anastasiia Grygorieva, I was born with the sense that I was meant to become an artist. From the age of four, I began learning to see and express the world through color and form — first in art studios, then at school (Taras Shevchenko State Art School), and later at the academy (National Academy of Fine Arts and Architecture)
Before the war in Ukraine began, I taught painting in my own studio. For me, art has become more than just a profession — it is a way of understanding the world and expressing inner states, a dialogue with reality that cannot be fully captured in words.
Sometimes I feel that an artist is not the one who creates images, but the one who captures time. We cannot stop it, but we can leave behind a trace — a feeling that can outlive us. And perhaps this is what makes art a form of memory.
Today, at the age of 40, I live in Kyiv and have spent the past four years under constant military attacks. I create a painterly diary of the war, consciously focusing not so much on events as on sensations — fragility, fear, hope, and inner resilience. Perhaps this is my mission: to preserve these experiences for future generations.
I am currently working on a series of sunflowers. In these works, the flower appears alone — as a symbol. I deliberately change its familiar yellow color to red, blue, brown, violet, and light blue. Not every viewer notices this immediately, as we tend to perceive things according to familiar perceptions.
For me, the sunflower is a symbol of resilience. Even as it dies, it remains standing.
My country is going through an extremely difficult time, and I am living through this painful period together with it. Through my work, I share with you not the pain itself, but its other side — the beauty of strength, resilience, and the belief that we will overcome this path with dignity.

Recognition:

  • Showed at the The Other Art Fair

  • Artist featured in a collection

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