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View In My Room
Painting, Acrylic on Canvas
Size: 59.1 W x 39.4 H x 1.4 D in
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26 Views
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Artist featured in a collection
You have checked into room 2022. This room is, except for you, the passenger, almost empty. Deprived of haunting thoughts. Anyone who enters this room is entering a reflection of a reality of choice, amnesia, distraction, and to some extent, chooses to enter ignorance. What you don't see, what you don't experience, what you don't feel, doesn't exist. Please stay where you are and distracted, avoid any engagement. Don't gaze at the dead Elephant in the corner. It is already dead and big, too big to absorb, too big to solve and too much to dissolve. Stay calm at all times, we recommend looking the other way and act unaware. Focus on something funny. If necessary, say something amusing. There is an Elephant in the room that is far too big now, too late to solve while it is already dissolving itself. It will soon be out of sight. Just keep going and stay distracted, then all will be fine." If a tree fell somewhere and there was no one to see it, did it even happen? *Original location at the basis of this painting is Kings Cross, station London.
2022
Acrylic on Canvas
One-of-a-kind Artwork
59.1 W x 39.4 H x 1.4 D in
Not Framed
Yes
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Netherlands.
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Netherlands
I can experience art on many levels and in many different ways. Then I look for aesthetics and eloquence but also for a particular angle. I make contemporary engaged art. It has a certain urgency. It is reflecting us, people and the zeitgeist. Images speak louder than words and basically appeal very directly to our feelings. My images are something of a mix between activism and philosophy, they want to engage in dialogue.” I am born in Hoorn (NH) (1970) and have been working as a visual artist since 1994. My studio is located at the Rieteweg 10 in Zwolle. I am a multidisciplinary artist. My autonomous work includes painting, collage, installation, digital art, photo manipulation, video art and 3d. I also work on commission and on a project basis. Typical for my autonomous work is the key role for man in its shape and behaviour. It is often a reflection of current social themes, but also mundane and personal issues are important sources of inspiration. Through small interventions, repetitions, inversions, or breaking surfaces with architectural forms, a new image is created in a somewhat familiar image. Although my work can be seen as aesthetic, it often conceals certain uneasiness, abrasive aesthetics. This duality or ambiguity is also a recurring theme. Do you see what you see? The resulting images are often on the cutting edge of fiction, realism, graphic and plastic. Contemporary (sur)realist?- My work cannot be placed in a tradition or movement. There are certainly surrealistic elements in my work and occasionally some abstraction, but in terms of style I draw from (contemporary) realism. Until now, I have been able to express myself best in the figurative, although I do not rule out anything for the future. As far as I am concerned, art is fluid and and artist never stop evolving. I do not wish to limit myself, neither to a medium, nor to autonomous art. I see myself much more as a conduit of concepts and ideas. Often my ideas are interspersed with philosophical questions and/or social themes that occupy me. I therefore sometimes set myself the task of casting these in project form, if only within the limitations of visual art. This has resulted in a number of projects varying from social to future-oriented.
Artist featured by Saatchi Art in a collection
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