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In a sunny, summery context, but only apparently playful, this siege of S.Sebastian sets in motion scenes of hidden violence, of hypocritical lightness. The young man smiles, trusts his friends and companions and thinks that this game will end with laughter. But it is only the beginning, the arrows shot deliberately brush against him, sticking into the sand. cruelty of those who know how to hurt.
It is like certain modern manifestations of bullying, this siege of S. Sebastian, like a perverse game whose stake is death. And S.Sebastian with his innocent gaze seems to be playing the game, thinking that it is just a game and that he will not go to extreme consequences. that they are doing in the soul as well as in the physical of this: they think it is always everything and only a game.
In a sunny, summery context, but only apparently playful, this siege of S.Sebastian sets in motion scenes of hidden violence, of hypocritical lightness. The young man smiles, trusts his friends and companions and thinks that this game will end with laughter. But it is only the beginning, the arrows shot deliberately brush against him, sticking into the sand. cruelty of those who know how to hurt.
It is like certain modern manifestations of bullying, this siege of S. Sebastian, like a perverse game whose stake is death. And S.Sebastian with his innocent gaze seems to be playing the game, thinking that it is just a game and that he will not go to extreme consequences. that they are doing in the soul as well as in the physical of this: they think it is always everything and only a game.
eight hundred and seventieth work
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SEBASTIANO ASSEDIATO Painting

Gianni Mucè

Italy

Painting, Oil on Wood

Size: 39 W x 31 H x 1 D in

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About The Artwork

In a sunny, summery context, but only apparently playful, this siege of S.Sebastian sets in motion scenes of hidden violence, of hypocritical lightness. The young man smiles, trusts his friends and companions and thinks that this game will end with laughter. But it is only the beginning, the arrows shot deliberately brush against him, sticking into the sand. cruelty of those who know how to hurt. It is like certain modern manifestations of bullying, this siege of S. Sebastian, like a perverse game whose stake is death. And S.Sebastian with his innocent gaze seems to be playing the game, thinking that it is just a game and that he will not go to extreme consequences. that they are doing in the soul as well as in the physical of this: they think it is always everything and only a game.

Details & Dimensions

Painting:Oil on Wood

Original:One-of-a-kind Artwork

Size:39 W x 31 H x 1 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born in Villabate (Palermo ,Italy) and after the first vernissage in Palermo in 1977, for thirty years living and working in Florence, with a painter and graphic and exhibitions in various Italian and foreign cities and present in collections in Los Angeles, Milan, Palermo, Buenos Aires; Houston. Painter of ideas and dream situations where dreams emerge and references to past... I've been painting since I was fifteen. I am proud to be self-taught, not to have attended any art school, to have learned everything that I would like to give and to learn from my mistakes. Like in art, so in life. I define myself as a painter of ideas, mine. In the sense that I try to give a face and a stage to situations, people, things, facts that I imagined or only lived or that in any case have merged in my experiences. I have made up to now more than 900 works, which considering the care and the meticulousness with which I work is a nice goal for me. I have decided to include here some works of my property, with the title also the year of execution to give the idea of a journey through the various meanders of art. I started painting very young and went through various styles of painting. Without ever neglecting the dreamlike aspect. In recent years I identify more with the surreal aspect of reality in which we live.

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