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Stone ruins Siedra Painting
Ukraine
Painting, Oil on Canvas
Size: 11.8 W x 15.7 H x 0.4 D in
Ships in a Box
About The Artwork
Painting ancient city "Siedra" ------------------------------------ Canvas on stretcher, oil tools: brushes, palette knife 30x40x2 cm 2022 ----------------- In stock The painting depicts the ancient city of Siedra, which was founded in the 7th century BC. and continued to exist until the 13th century. Then the population of Siedra reached 4500 people. Later, the city fell into decay. The ruins of the ancient city of Siedra are surrounded by city walls and monumental rocks. Among the most important buildings that have been preserved are the impressive baths, a gymnasium, a colonnaded street, five water cisterns, an ancient temple, a Byzantine church and an olive oil workshop. Unfortunately, almost nothing remains of the ancient theater. However, ruins of houses and workshops from the Roman period are still visible. . .
Details & Dimensions
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:11.8 W x 15.7 H x 0.4 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Turkey.
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Ukraine
My name is Sveta. I come from a small town that in Ukraine. Now I live in Turkey. At the heart of my painting practice is the principle of “state”. Situation is important to me: a meeting with a potential pictorial image can happen anywhere. For me, the environment is a flurry of visual material. I am interested in the characters of people, their emotions, inner world and relationships, the rhythm of nature and the rhythm of the city, the man in the urban landscape, the air, the singing of birds - all life around me is a potential source of pictorial expression. I set the task of wresting the most important thing from the stream, of seeing in it the potential object of my labor. In my works, state is primary, not visual similarity.
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