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"TENDERNESS" Painting

→ Vera Klimova, Austria

Painting, Acrylic on Canvas

31.5 W x 31.5 H in

Ready to Hang

$1,199

→ Shipping Included

→ 14-day free returns

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


Real tenderness can’t be confused, It’s quiet and can’t be heard. Don’t bother, there’s really no use In wrapping my shoulders with fur. In vain you whisper sweet lies About falling under love’s spell, Your stubborn and hungry eyes — I’m afraid, I know them too well! (Anna Akhmatova, 1913)

Year Created:

2023

Subject:

Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

31.5 W x 31.5 H x 0.8 D in

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Austria.

Need more information?

Contact us.

Need more information?

Contact us.
Vera Klimova

About the Artist

Vera Klimova

Austria

My creative process comes from the desire to understand the interaction of two worlds - the visible
and the invisible. As an artist, I ask myself: who am I really beyond what I see, beyond the physical
world? I admit that there are many things that I have never known or felt before. A riddle, a mystery
that encourages the search for hidden meanings, has been and remains the subject of reflection of
all times and peoples. To discover something new, you need to go beyond the already known, well-
known, organised. The visible is controlled, the invisible is achievable intuitively. I invite the viewer to
such a study and "feeling" - to a change of angle - creating an immersive environment by combining
different media. In my cross-medial artistic practice, I adjust the balance of opposites - visible and
invisible, controlled and intuitive. I strive to awaken the intention to penetrate new levels of reality,
behind which new meanings, new facets, new overtones of perception open up. This is a process of
continuous formation and renewal. A very important component in this process is music, being a
metaphor for the invisible. The image manifests itself as a synaesthetic experience, where the audio
is combined with the visual, while creating a communicative field with the viewer.

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