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"Tower Bridge" Painting

→ Martyn Child, United Kingdom

Painting, Oil on Canvas

23.6 W x 23.6 H in

Ships in a Box

This work will ship flat in a sturdy, well-protected cardboard box. Read More

$569

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


Tower Bridge from the South Bank in London, United Kingdom

Year Created:

2020

Subject:

Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

23.6 W x 23.6 H x 1.4 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

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Contact us.

Need more information?

Contact us.
Martyn Child

About the Artist

Martyn Child

United Kingdom

Martyn is a UK based artist whose work transforms the contemporary city into a charged psychological landscape. Working across oil, mixed media, and digital processes, he constructs urban environments that feel both concrete and mythic — neon corridors, cold nocturnes, and radiant intersections where human figures act as emotional conductors rather than subjects. His practice centres on urban painting as metaphor, using geometry, chromatic transitions, and directional light to map states of overload, solitude, and mythic intensity.

Influenced by neo‑expressionism and cinematic lighting, Martyn treats colour as a psychological engine. Saturation, temperature shifts, and value compression become narrative tools, shaping how viewers navigate the emotional architecture of each piece. Figures often dissolve into the city’s pulse — illuminated, fractured, or absorbed by its rhythms — creating a tension between vulnerability and spectacle.

His recent work explores the city as a site of myth‑making, where everyday structures acquire symbolic weight. Through iterative compositional mapping and precise chromatic orchestration, Martyn pushes each painting toward heightened emotional clarity, rejecting sentimentality in favour of intentional, legible mood.

Martyn’s practice continues to evolve toward deeper psychological resonance, expanding the expressive possibilities of contemporary urban painting.

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