"Untitled" Painting
Painting, Oil on Paper
25.2 W x 37.8 H in
Ships in a Tube
This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More
$1,465
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This oil painting on paper explores the act of circling as a gesture of repetition, persistence, and return. Layers of blue and violet encircle a luminous pink center, while gravity-driven drips interrupt the form, introducing movement and vulnerability. The work balances control and release, treati...
Year Created:
2025
Subject:
Mediums:
Painting, Oil on Paper
Rarity:
One-of-a-kind Artwork
Size:
25.2 W x 37.8 H x 0.4 D in
Ready to Hang:
No
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships Rolled in a Tube
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Netherlands.
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Born in Brazil and currently working in Europe, my painting practice is grounded in a decolonial and non-Eurocentric approach to abstraction. I understand painting not as a neutral or universal language, but as a situated form of knowledge shaped by body, environment, memory, and cultural experience.
My work explores abstraction as a practice of embodied perception and intuitive intelligence. Rather than illustrating narratives or concepts, I work through gesture, layering, and material processes as ways of listening to internal and external rhythms. In this process, intuition, sensation, and attention function as forms of knowledge that challenge Western hierarchies privileging rationalism and representation over lived experience.
Influenced by Brazilian artistic traditions, Indigenous-informed worldviews, and sensorial ways of relating to nature, I approach painting as a relational and temporal practice. Surfaces are built, dissolved, and reactivated, allowing time, vulnerability, and uncertainty to remain visible. The paintings unfold as perceptual environments rather than fixed images.
Through this decolonial perspective, I seek to question Eurocentric models of abstraction based on control, purity, and formal autonomy. Instead, my work affirms painting as a space of presence, interdependence, and embodied awareness, where perception and spirituality are inseparable from artistic research.
Recognition:
Artist featured in a collection
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