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Brutalist Harmony: Stark Beauty of Repetition Photograph - Limited Edition of 5

Michael Nguyen

Germany

Photography, Digital on Paper

Size: 11.8 W x 7.9 H x 0.1 D in

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$1,090

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About The Artwork

Original Artwork (Limited Edition): The motif is printed on Hahnemühle fine art baryta 325g paper, motif size 20 x 30 cm, white border 5 cm, outer size 30 x 40 cm, signed and artist stamp on the back. Hanover’s Osterstraße multi-storey car park, a testament to Brutalist architecture, stands as a rhythmic sculpture of concrete and space. You don't see balconies, but parking bays. In the heart of Hanover, a car park rises, a structure of compelling contradiction. Built in the Brutalist style, its concrete form is both fortress and canvas, where light plays across its bold, angular projections. Architect Heinz Wilke’s vision from 1974 transforms the utilitarian into the aesthetic, creating a dance of shadow and form that defies its mundane function. It is a place where cars come to rest, yet the imagination is set in motion, contemplating the stark beauty of repetition and raw materiality.

Details & Dimensions

Photography:Digital on Paper

Artist Produced Limited Edition of:5

Size:11.8 W x 7.9 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Multi Award Winning Artist & Photographer NGUYENSminiaturen Website: https://nguyensminiaturen.visura.co/ Original Artworks in small sizes in a limited signed edition of 2, 3, 4, 5 or 10 copies, depending on the motif, in sizes of 20 x 30 cm, 30 x 30 cm, 40 x 40 cm - most of them with a white border. Alway 2 AP (Artist Prints). Signed, numbered and artist stamp on the back. All motifs can be ordered also as open end prints in a variety of sizes and frame options. Calmness in Sight “Artistic photography today moves quite differently than it did a few decades ago as a visual force and communicative intervention. This is amid an overflowing stream of images whose production, administration, and dissemination have long since run out of control of conscientious management. After film, television, computers, it is above all the smartphone that has catapulted us into a new visual age. Often, the challenge is to give the eyes an occasion to linger between their unsteady jumps from image to image. Michael Nguyen succeeds excellently in creating such an occasion with his photographs by creating clarity of vision and a challenge of interpretation through reduction and focus.” Prof. Dr. Rainer Funke Founding dean of the Department of Design Potsdam University of Applied Sciences Michael Nguyen is a “publicity shy” (Merkur daily newspaper Munich) photo artist, a photographic poet who moves away from the mainstream, at the same time blurs genres. "Most of the photos could only be taken because Nguyen has a special eye for his surroundings and gives even the mundane a second view." (Süddeutsche Zeitung). In his photography he focuses on architectural details and urban landscapes. “With my architectural photography, I am on the search for the aesthetic qualities of buildings in their urban spatial effect. Above all, I am interested in the visual richness of detail in its compositional diversity and its strangeness. The most unadulterated, neutral documentation of buildings for sales and presentation purposes is not part of my work, nor is the creation of marketable references for architectural firms. Nor are they photographs that depict a building in its ideal state to increase the market value of the building in question. With my very own passion for buildings, I strive, as an artistic architectural photographer, to interpret reality and give a new soul to the appearance of buildings through love, enthusiasm, and desire.

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