Finnish built environment, Triptych - Limited Edition 1 of 3 Photograph

I am a photographer and communication specialist. My studies concern corporate communication and advertising and I am expert of communication philosophy. My pictures were exhibited and featured in catalogues in European Countries among which Italy, Finland, Greece and Switzerland. As a young photographer I expect my working life to be in the field of architectural photography, mainly. As for my personal life, I often find myself gathering, culling and selecting pictures I have taken weeks before. On the whole, this is the way I edit my series: tracing back to an idea (or an intuition) that well associate groups of pictures. More and more I am dedicating time to sharpen my vision in documentary and street photography. In my academic career I conducted an analysis on the eidetic properties of the photographic image and on the dynamics of photographic practice intended as a political action. In recent years I developed a deep sense of dissatisfaction in regard to how the photographic medium is involved in mainstream media usage. The idea that the photographer catches a certain moment in time, coming from Cartier-Bresson, still keep its charm among photographers while much more is to be investigated and analysed yet. Following the readings of Barthes, Flusser and Arnheim I seek to explore the unique features of photographic medium in the broader system of Arts. More than just a trick on the timeline of our lives, photography works as a relevant catalyst in the politics of everyday life: it enhances our perception that something “has-been” (which doesn’t mean it give us coordinates in space and time); it allows a different degree of reproducibility; it imply the direct and close presence of the photographer in the frame of the scene; it suggests the unseen beyond the edge of the lens -namely, what is left behind the given degrees of sight-.