view additional image 1
View in a Room ArtworkView in a Room Background
1255 Views
6

VIEW IN MY ROOM

Ghosts of Royal Street, New Orleans, A Geometric Séance Print - Limited Edition of 10

Jerry DiFalco

United States

Printmaking, Aquatint on Paper

Size: 20 W x 16 H x 1 D in

Ships in a Box

info-circle
This artwork is not for sale.
Primary imagePrimary imagePrimary imagePrimary imagePrimary image Trustpilot Score
1255 Views
6

Artist Recognition

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

This etching was created using six zinc plates placed on the press (three above three) to produce one single image. Each plate measured 3 inches wide (7.6200cm) by 4 inches high (10.160cm), and plates are separated by a space of approximately one-eighth of an inch. The overall image measures 9.5 inches wide (24.50cm) by 8.25 inches high (21cm). The print size is 15 inches high (38.100cm) by 14 inches wide (35.560cm). The scene dates from 1890 to 1901 and was inspired by a photograph from the Detroit Publishing Company Collection, Prints & Pictures, Library of Congress, Washington, DC, USA. (Call Number: LC-D4-5738 [P&P] ). I Used oil-based French etching ink on RivesBFK white paper. This is the FIRST of TEN PRINTS in the First of THREE Editions (3/10, Edition I/III). Edition III is not yet printed but will be executed between in February of 2020. Price includes frame and archival mat.

Details & Dimensions

Printmaking:Aquatint on Paper

Artist Produced Limited Edition of:10

Size:20 W x 16 H x 1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Imagery and storyline—both vital components of my creative process—enable me to create a form of visual poetry. Consequently, photography is intricate to my artistic strategy, especially with regard to my etchings. In view of this, many of my printed images—accomplished via the studio techniques of intaglio, aquatint, drypoint, and Chine collè—originate from my own photographs, as well as ones I uncover during research into the archives of academia, historical societies, and museums. Upon locating a scene that fascinates me, I first sketch a few original drawings of the likeness, and next transfer that drawing onto my prepared zinc etching plate. NOTE: In my etchings that incorporate the Chine collè process, I use mulberry bark paper from Thailand, which is infused with Japanese kozo threads. The paper is also treated with methylcellulose. I endeavor to establish links between the metaphysical and physical worlds . . . between the realms of dream and reality . . . and between the natural and the fabricated. In a sense, I believe that art unveils everything that we mask behind our assumptions and biases . . . or rather, those realms we neglect—or refuse—to perceive. My label for our failure to examine these areas is, “The Phenomenology of Non-Connectedness", which I blame on today’s communicational tools such as Social Media, the Internet, texting on smart phones, and “tweeting”. MY ETCHING TECHNIQUE I work on metal etching plates treated with both hard and soft grounds. These grounds consist of mineral spirits, beeswax, oil of spike lavender, and other natural substances. After these grounds dry, I draw images with needles and other tools onto the plate. Next, the exposed areas are “etched into” the zinc or copper plate in a bath of Nitric Acid and spring water. An artist’s proof in then printed after the plate is cleaned; Moreover, two to seven additional plate workings, acid baths, and proof printings occur before my desired effect is obtained. When satisfied with my end result, I apply oil based etching ink onto the clean plate and then remove the excess ink with several wipes. Next, I align my etching plate onto the printing press bed and cover it with papers and press blankets. Finally, the plate goes through the press to obtain my print. This process is repeated until all editions are created. I usually create three to five editions of five or six etchings for each one of my plates.

Artist Recognition

Artist featured in a collection

Artist featured by Saatchi Art in a collection

Thousands Of Five-Star Reviews

We deliver world-class customer service to all of our art buyers.

globe

Global Selection

Explore an unparalleled artwork selection by artists from around the world.

Satisfaction Guaranteed

Our 14-day satisfaction guarantee allows you to buy with confidence.

Support An Artist With Every Purchase

We pay our artists more on every sale than other galleries.

Need More Help?

Enjoy Complimentary Art Advisory Contact Customer Support