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The light reflection of the water surface shows various levels. In addition to the image itself and its movements, time will show up and is conserved in one single moment of standstill. But it is also a reflecting surface, a mirror into ourselves. The often very big woodcuts, which take a long time to make, slow down time by stretching the moment of taking the digital photo from a split second to entire weeks, until the print is ready. This is a conceptual strategy to illustrate the illusion of movement, represented by real time.
The light reflection of the water surface shows various levels. In addition to the image itself and its movements, time will show up and is conserved in one single moment of standstill. But it is also a reflecting surface, a mirror into ourselves. The often very big woodcuts, which take a long time to make, slow down time by stretching the moment of taking the digital photo from a split second to entire weeks, until the print is ready. This is a conceptual strategy to illustrate the illusion of movement, represented by real time.
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PARALISAÇÃO - Limited Edition 5 of 5 Print

Stefan Osnowski

Portugal

Printmaking, Woodcut on Paper

Size: 78.7 W x 55.1 H x 0 D in

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Originally listed for $3,500
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354 Views
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About The Artwork

The light reflection of the water surface shows various levels. In addition to the image itself and its movements, time will show up and is conserved in one single moment of standstill. But it is also a reflecting surface, a mirror into ourselves. The often very big woodcuts, which take a long time to make, slow down time by stretching the moment of taking the digital photo from a split second to entire weeks, until the print is ready. This is a conceptual strategy to illustrate the illusion of movement, represented by real time.

Details & Dimensions

Printmaking:Woodcut on Paper

Artist Produced Limited Edition of:5

Size:78.7 W x 55.1 H x 0 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

„For many years now, Stefan Osnowski has been concerned with a new approach to wood engravings and has been developing the opportunities inherent to the technique. When preparing the engravings enlarged to the size of an easel painting, he creates a range of tonal values purely through the variation of the width and depth of the carved lines, horizontal and vertical or diagonal, as well as through the alteration of the density of the grid whilst retaining a purely monochrome imagery. His printing technique also deviates from the norm, due to the use of a palm- size glass lens to manually rub the ink onto the paper rather than a printing press, thus preserving the apparent uniqueness of each individual item in a series. Physical contact and hand-crafting is just as much a part of the concept as gathering a theme or selecting a medium.”

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