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The Hinterland frame - Limited Edition of 21 Print

Eric Ezendam

France

Printmaking, Oil on Paper

Size: 13 W x 15.7 H x 0 D in

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About The Artwork

You know the principle of the “Objet trouvé”; this backside of an old frame, is I think, a good example. I call the work “the Hinterland frame”. Somehow the history of the wooden frame inspired me to use it and “work with it”. Of course some cats are there, the lady loves them. Her funny shadow gives away how she appreciates the man she is looking at: it is her, but also him, to some extent. I did the drawing with mixed media and the result is this digital litho (32,9 x 40 cm.) that I printed myself on High Quality Art paper in the limited edition of 21 (available 17). They are all signed and dated. More info: eric.ezendam@icloud.com

Details & Dimensions

Printmaking:Oil on Paper

Artist Produced Limited Edition of:21

Size:13 W x 15.7 H x 0 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Eric Ezendam was born in Amsterdam, in the Netherlands, where he studied Art and Art history at the Rietveld Academy. Later on in Milan, he immersed himself in the world of graphic design, and through the ensuing years combined that profession with the fine Arts. He worked many years from Amsterdam, also a year in in Italy, in Rome and afterwards he travelled through many other countries. Since 2000 he has devoted his talent exclusively to fine Art, with his graphic work greatly enhanced by his knowledge of the computer. In addition to drawing with charcoal (often in large format) and terracotta chalk or Indian inks, along with oil painting on canvas, he finds the computer a fascinating medium for exploring new ways of expression. Many of his works are printed in high quality very limited editions (rarely more than 10 prints), but of course his charcoals are unica, as are his unique reworked large Giclées. “Ezendam is a master of all weapons” wrote the late Martin van Amerongen when he was editor-in-chief of the Dutch weekly De Groene. While interviewing Ezendam for his radio programme, ‘Visiting Artists in Their Studio’ art critic Toine Moerbeek exclaimed: “Those mysterious, sometimes cynical scenes you create, Eric, that’s pure theatre of the absurd. And those superb very large drawings, they are the result of a lifelong passion!”. And Gallery-owner Anne-Claire Vogtschmidt discerned in the artist’s oeuvre an almost metaphysical aspect: “Time in his work plays a different role, reality is somewhat pushed aside or backwards, and we, beautiful in our ugliness, we are put there in a loving way in this place where we haven’t been before.”

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