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VIEW IN MY ROOM

state of emergency Print

Michał Krawiec

Poland

Printmaking, Digital on Paper

Size: 27.6 W x 39.4 H x 0 D in

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About The Artwork

The inspiration for this work is the social and political situation that can be observed in many countries. I hope that the recipient will reflect on the problem of the devastation of the planet and whether the direction of development taken by humanity is right. I chose this medium and this way of speaking for several reasons. One of them is the lack of access to the graphic design studio, which is why I chose digital collage. The architectural details that I choose to create them can symbolize the transience of human memory and fall into the oblivion of current societies. This is analogous to current events and those of the early 20th century. That's why I chose this way. In my works there are also typographic elements found in urban spaces, their certain fragments may draw the viewer's attention to certain limitations that bring with them contemporary civilization problems.

Details & Dimensions

Printmaking:Digital on Paper

Original:One-of-a-kind Artwork

Size:27.6 W x 39.4 H x 0 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

MICHAELHe was born in 83. A graduate of the Institute of Art at the University of Opole, a member of the Association of Polish Visual Artists. Diploma in graphics in the studio of Professor Moniki Kamińskiej and dr. Bartłomiej Trzosa entitled „Eugenika”. Since 2011, he has been professionally associated with the Institute of Art, and now the faculty of Art at the University of Opole. In his work he speaks through graphic art, screen printing, digital graphics and photography, often combines these media to create an individual language of expression. He sews on the machine, he learned this to create a series of „Observations”. He deal with it elements of urban space, old advertisements and neon signs, forgotten alleys as well as backyards where time has stopped. His attention is also paid to industrial, secession and modernist architecture. In his works, he synthesises a space in which the elements that are economical in their form become geometry of the city. Photographical and graphical collages, that he creates, become fragments of his own imaginary place. The industrial space, which he shows us around through his graphics.

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