"Cassiandre" Sculpture
Sculpture, 3d Sculpting of Ceramic
9.8 W x 15 H x 9.8 D in
Ships in a Box
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$2,720
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
Residues of the past surface in this new work - cracks visible, revealing what memory cannot let go. The push and pull of clay mirroring an interior world warped by ideas of race, normality, gender, and the dark shadows of violence. At times the self ruptures; at others it is barely held together....
Year Created:
2026
Subject:
Styles:
Method:
Method:
Sculpture, 3d Sculpting of Ceramic
Rarity:
One-of-a-kind Artwork
Size:
9.8 W x 15 H x 9.8 D in
Ready to Hang:
No
Mounting:
Free-Standing
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Outdoor Safe:
No
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United Kingdom.
Customs:
Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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I hold an MA in Fine Art from Chelsea College of Art and Design and a BA in Fine Art from Emily Carr Institute of Art and Design. My work is represented in collections across the UK and internationally, and I have exhibited extensively, including group shows at Sotheby’s London, Christie’s London, Tate Modern, Whitechapel Gallery, the Freud Museum, and Garboushian Gallery. I’ve been shortlisted for several awards, including the Celeste Art Prize (2007), the Barbican Surreal Competition (2010), and the FRINGEMK Painting Prize (2010).
—-
Residues of the past surface in this new ceramic work - cracks visible, revealing what memory cannot let go. The push and pull of clay mirroring an interior world warped by ideas of race, normality, gender, and the dark shadows of violence.
At times the self ruptures; at others it is barely held together. The mends do not hide the cracks but draw attention to them, marking each fracture as a badge of survival. In the kiln, heat brings forward what was already there: memories embedded in the clay. What remains is both vulnerable and powerful, fragmented yet alive.
Recognition:
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