VIEW IN MY ROOM
Collage, Paper on Paper
Size: 7 W x 10.5 H x 0.1 D in
Ships in a Box
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I found a book of botanical illustrations and and it set my imagination off. Please note: the reverse side of this artwork is not blank. This is a hand-made collage work, and as such, is composed by cutting and gluing sections of print material together. Each work varies: some are simple in assembly, others are painstakingly detailed in cutting. The back of the piece is not glued onto anything, so the integrity of the object as a whole is preserved. A collector should feel free to consult with a professional framer as to options for mounting on archival supports.
Collage:Paper on Paper
Size:7 W x 10.5 H x 0.1 D in
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Deborah Stevenson was born in Washington, DC. She grew up in Tokyo, went to high school in Baltimore, and got her BA from Sarah Lawrence College in New York. She lived for many years on the West Coast, and returned to the East Coast, where she lived in Brooklyn, NYC until 2015, when she relocated to the coastal town of Belfast, Maine. Artist Statement: My influences include the pioneer collage/surreal artists: Braque, Ernst, Hannah Hoch, Joseph Cornell, Magritte, to name a few, as well as the German Expressionists in all media. Other influences in visual media include masters in film and photography, both contemporary and classical. A life-long interest in Eastern philosophy and Jungian psychology have contributed to my fascination with allegory and symbology. Themes that recur in my work express metaphorically my exploration of concepts of power, beauty, the Feminine, and mysterious archetypal conjunctions. The work arises in an ‘automatic’ way; I do not set out with an objective or goal in my mind when I sit down to make something. The images compose themselves spontaneously as I mix and move the masses of paper around on the table in front of me. I feel as though my eyes and hands facilitate the ‘arrival’ of the pictures that I make. More than anything else, the process requires of me that I pay attention, and to be in a receptive state, so as to be ready to capture the dialogue."
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