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"“ The fox”" Collage

→ Nani Potskhverashvili, Georgia

Collage, Found Objects on Hardboard

19.7 W x 23.6 H in

Ships in a Box

This work will ship flat in a sturdy, well-protected cardboard box. Read More

$2,420

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


This artwork is created using my self-invented conceptual technique called “Second Life”, where natural flowers and leaves—materials destined to fade—are given a new visual life and lasting presence. Composed entirely of real botanical elements on hardboard, the piece reveals a symbolic, guardian-li...

Year Created:

2025

Subject:

Mediums:

Collage, Found Objects on Hardboard

Rarity:

One-of-a-kind Artwork

Size:

19.7 W x 23.6 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Georgia.

Need more information?

Contact us.

Need more information?

Contact us.
Nani Potskhverashvili

About the Artist

Nani Potskhverashvili

Georgia

My name is Nani Potskhverashvili. I'm an artist from Georgia, I run my own gallery and workshop in Tbilisi.
I'm an artist with academical painting background, using several mixed techniques. One of them can be bravely called my invention " Second Life" - Nature that is going to die in several days, weeks, I'm giving chance on Second Life, and probably gifting them immortality. I'm creating paintings of various themes: portrait, still life, abstract, landscape with natural flowers and leaves. Using about 200 of verities of plants from around the world. I'm traveling a lot selecting and making herbariums beforehand. My technique saves their colors and structures for a long years, oldest one I own is 17 years old, still as colorful as newly finished. Making works with this technique takes much more time and effort than my works made of oil, acrylic or other materials.

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