







Collage, Paper on Acrylic
31.5 W x 31.5 H in
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ABOUT THE ARTWORK
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Retreat | Hiding place | Cave | Tall fir trees | Hare hopping across the clearing | Can you hear that? | In the sun | close your eyes | in the snow | dense forest | forest dwellers | woodland | brambles| silence| wildlife | secret | clearing | bracken | sunbeams | look for tracks | dwellings | be hi...
Year Created:
2023
Subject:
Mediums:
Collage, Paper on Acrylic
Rarity:
One-of-a-kind Artwork
Size:
31.5 W x 31.5 H x 0.8 D in
Ready to Hang:
No
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Germany.
Customs:
Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
Need more information?
Contact us.Need more information?
Contact us.Annette Marx lives and works in SaarbrĂĽcken.
She has had her studio in Cecilienstrasse in the Nauwieser Viertel in SaarbrĂĽcken since 2012 and is a co-founder of the SommernachtsRaumKollektiv.
She has exhibited her work for many years in Germany, France, Austria, Belgium, Luxembourg and Spain (solo exhibitions and participation in exhibitions).
Her works are part of public and private collections in Germany and abroad.
I deal with the theme of beauty in the ephemeral.
Whether I am travelling through post-industrial spaces or nature, I try to perceive the beauty of what I see, to breathe in the overall impression, to absorb the vulnerability.
In my pictures I take up the forms I see, a process of accumulation and adaptation.
In my abstract but also sometimes representational series of works, I use photos, papers and screen prints as collages, which are applied to the canvas and playfully supplemented with acrylic paint and chalk.
Photos, colour and lines merge and become an equally powerful and fragile whole, in the sense of the overall impression and beauty of a found object seen in real life.
By intervening with colour and line, something new is created against the forlornness.
I breathe against the dark absurdity of the world. Sometimes I breathe against the day. I try not to lose my own reality in all the infinite number of realities that exist side by side. I look for the glimmer of light in the darkness, the grace in the morbid, the level behind it in the absurd.
This is the only way to endure.

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