"Rome, The Aventine Hill" Drawing

Victoria’s paintings operate as perceptual constructions shaped by observed phenomena such as light on water, urban movement, and seasonal transition. Through the materiality of pigment, spatial instability, and shifting form, her work activates the canvas as a dynamic field. Influenced by the gestural abstraction of Helen Frankenthaler, and Lee Krasner, she approaches abstraction as an emotional and physical language. Trained in industrial design, then painting under Volkov, the son of Alexander Volkov of Tashkent, her practice integrates painterly tradition, chromatic depth, and spirituality while sustaining a dialogue with natural light. Her most recent participations include in exhibitions The Flag Project at Rockefeller Center, collaborated with UNEP and the Climate Museum, and group exhibited at Berry Campbell Gallery. Her paintings belong to private collectors in the USA, France, Italy, Japan, Argentina, Great Britain, Portugal, Australia, and Thailand. Victoria is a member of the UNESCO International Association of Artists. She is the mother of a Harvard student.