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Drawing, Ink on Paper

13.1 W x 20.9 H in

Ready to Hang

$2,750

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ABOUT THE ARTWORK

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Although small, the shrike is a bird of prey with a surprisingly fierce nature—notably known for impaling its victims on branches to store for later. In this piece, I painted the bird perched on the head of a girl with her eyes closed, serving as an emblem of the intense emotions hidden within her.

Year Created:

2021

Subject:

Mediums:

Drawing, Ink on Paper

Rarity:

One-of-a-kind Artwork

Size:

13.1 W x 20.9 H x 1 D in

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Japan.

Need more information?

Contact us.

Need more information?

Contact us.
Mariko Mizuto

About the Artist

Mariko Mizuto

Japan

Japanese-style painter (Nihonga artist).
Her work explores the theme of Yūgen — the subtle and profound beauty that lies at the heart of traditional Japanese arts such as Noh and tea ceremony — expressed through depictions of the human figure.

Born and raised in Hiroshima to Japanese parents, and being a second-generation atomic bomb survivor, she continues to live and work in Hiroshima. Her paintings reflect a search for identity and meaning rooted in this background, while seeking to carry forward the timeless aesthetic sensibility of Japan that has evolved through centuries of cultural tradition.

In portraying figures, she draws inspiration from classical Buddhist sculpture and traditional East Asian philosophy, which avoid overt emotional expression. The “expressionless face” in her work conveys emotion inwardly, inviting the viewer to project their own feelings and interpretations.

Her figures are always depicted wearing traditional kimono with authentic textile patterns. She regards the kimono as the most beautiful and natural form of expression for the Japanese spirit — an attire that evolved in harmony with the nation’s climate and way of life.

Technically, she emphasizes the beauty of line and uses traditional pigment preparation methods that were practiced before the Edo period, prior to the modernization of paint-making influenced by Western art. Through these methods, she seeks to revive the quiet depth and restrained beauty of classical Japanese painting.

Recognition:

  • Artist featured in a collection

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