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"The Source" Drawing

→ Anna Urazova, Belgium

Drawing, Pencil on Paper

27.5 W x 39.4 H in

Framed

$3,003

→ Shipping Included

→ 14-day free returns

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


This drawing is created with oil-based pencil on paper and presented in a wenge wood frame with anti-reflective plexiglass, enhancing the depth and subtle texture of the work while protecting its delicate surface. Anna Urazova’s work explores the relationship between body, movement, and emotion thr...

Year Created:

2025

Subject:

Mediums:

Drawing, Pencil on Paper

Rarity:

One-of-a-kind Artwork

Size:

27.5 W x 39.4 H x 1.2 D in

Ready to Hang:

No

Frame:

Brown

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Belgium.

Need more information?

Contact us.

Need more information?

Contact us.
Anna Urazova

About the Artist

Anna Urazova

Belgium

Physical experience is a starting point in my practice. I translate my psychosomatic process into two-dimensional forms. However, while drawing I perceive the space of the image as 3-dimensional. Mentally, I touch shapes and feel their surface, texture, density, and scale relative to my body. I imagine how the form would react if I touched it. The sketch begins with a stroke or line and I let the picture unfold, to grow as if the entire image had existed in embryonic form in the first line. Embodied emotions can trigger psychosomatic processes. So an art object can fall under the skin. My methodology is not only composition and the search for harmony but also bodily experience. I feel the form appearing and I help it become visible. I study it carefully: does it want to unfold and occupy all the space or curl up and tie into a knot, how does it move, the temperature of its body, and how fast does it move? Gestural marks add a sense of physicality, so the body is still present even if there are no figures. At the same time, more detailed and realistic elements draw attention and let the image unfold.

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