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"In urbe_3" Installation

→ Salvatore Balice, Italy

Installation, Wood

20.1 W x 14.6 H in

Ready to Hang

$4,500

→ Shipping Included

→ 14-day free returns

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Artist Recognition

ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


Investigating the distortions of the contemporary anthropized environment Made mainly of reclaimed walnut wood + chalk paint and reclaimed pool cue

Year Created:

2022

Subject:

Mediums:

Installation, Wood

Rarity:

One-of-a-kind Artwork

Size:

20.1 W x 14.6 H x 3.5 D in

Ready to Hang:

Yes

Mounting:

Wall-Mounted

Frame:

Not applicable

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Italy.

Customs:

Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Salvatore Balice

About the Artist

Salvatore Balice

Italy

I am a multidisciplinary artist born in Bari, the city where I currently live and work.
My training as an interior designer began in London, UK, over twenty-five years ago. I lived there for about seven years, gaining experience that deeply shaped my design sensibility and artistic language.
Over time, I have interwoven limited-edition furniture design—or "art furniture"—with painting, photography, and sculptural installation, often favoring the use of reclaimed materials. Complementing this plurality of forms is my musical background as a bassist, an experience that has further fueled an artistic inquiry rooted in rhythm, listening, materiality, and the invisible connections between different modes of expression.
It is primarily in my painting that my practice has progressively moved away from figurative representation, eventually shedding both the need for narrative meaning and any intent to conceptualize.
My works arise from listening to my inner silence: they do not illustrate, explain, or assert. They simply emerge.
They are an "utterance" devoid of intent, a manifestation that makes no claim to be deciphered or reduced to a predetermined meaning. They do not seek a meaning; they simply happen.
And, in that very act of happening, they ask to be heard.

Recognition:

  • Artist featured in a collection

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Relief of Plywood

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