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"ASH AND WIND" Artwork

→ Roberta Brugnolo, Italy

Mixed Media, Fabric on Acrylic

34.1 W x 18.5 H in

Ready to Hang

$905

→ Shipping Included

→ 14-day free returns

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


Ash and Wind is part of a series that explores memory through the transformation of materials. The work evokes a tranquil woodland landscape where time leaves its imprints. Reclaimed cotton sheets, soaked in gesso and PVA glue, are molded onto the canvas to create a textured surface that recalls the...

Year Created:

2026

Subject:

Mediums:

Mixed Media, Fabric on Acrylic

Rarity:

One-of-a-kind Artwork

Size:

34.1 W x 18.5 H x 2.4 D in

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Italy.

Customs:

Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Roberta Brugnolo

About the Artist

Roberta Brugnolo

Italy

Trained as an architect, I approach painting as a construction of presence through absence.
The human figure never appears explicitly in my work, yet it is always there — as trace, tension, and silent passage. My research revolves around the relationship between humanity and Nature, between solitude and the need to be loved, between fragility and spiritual elevation.
Fabric becomes a sensitive skin. It is protection and barrier, stratification and memory. I shape it instinctively, allowing folds to emerge like landscapes, roots, or inner territories. The material records gesture the way earth records footsteps.
White is not emptiness. It is grace, union, and light. It holds all colors within itself. Through light, the surface transforms, shifting between abstraction and figuration, between the visible and the invisible.
The thread that sometimes crosses my works is connection — between human beings, between time and space. It is also the subtle trace of our passage, a fragile line that reminds us of our presence in the world.
My works do not describe a place. They evoke a condition.

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