

Mixed Media, Acrylic
37.8 W x 16.5 H in
Ready to Hang
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In this Triptych emphasis is given to the juxtaposition of language, and the meaning of a word which bounces gently on the delicately placed and fragile rose petals "sandwiched" between two sheets of glass. As if two minds encounter each other or converge into one.The particular and the peculiar at...
Year Created:
2025
Subject:
Styles:
Mediums:
Mediums:
Multi-paneled Mixed Media, Acrylic
Rarity:
One-of-a-kind Artwork
Size:
37.8 W x 16.5 H x 0.8 D in
Number of Panels:
3
Ready to Hang:
Yes
Frame:
Not applicable
Authenticity:
Certificate is Included
Packaging:
Ships in a Crate
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Germany.
Customs:
Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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Contact us.lives and works in Braunschweig, Germany
Werftraum - Studio for Art and Performance Art,
professional artist, previous senior lecturer in London introducing performance art, realising transitstation- international exhibition as Event , London 2003, Berlin 2005, Edinburgh 2006 and transitstation Copenhagen in 2010, collaboration with the Royal Danish Academy.
2024 Opening of MOSI, Museum of Superior Installation, Buessing Hoefe, Basement, Braunschweig, Germany
The work negotiates the incomprehensible complexity when being surrounded by objects of sensory stimulation, and the attempt of grasping attention to any one source can often be accomplished only with great difficulty. The studio space is Werftraum (ship yard) and is associated with translucent and imagined spaces in the mind. The reflection of these locations appears to place and reflect gathered and experienced objects. They become the instruments, which participate in the orchestration of unexpected tunes. The fine-tuning is a crucial process which tends to present the ambiguity and where the work begins and ends remains purposely unresolved thus the potential of change and transition continues to take place. With the accumulation of its particular parts, one is forced to combine and relate certain meanings and presuppositions only to find that the bigger picture is hardly suggested and it stays fleeting, escaping the desire to make sense as a defined whole. The question governs my work.
Recognition:
Artist featured in a collection

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→Maxine Davidowitz, United States
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