





Mixed Media, Encaustic on Other
11.8 W x 11.8 H in
Framed, Ready to Hang
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"Opening" explores the moment when inner energy begins to unfold into new possibilities. Delicate organic forms extend across flowing shades of blue and turquoise, suggesting freedom, growth, and the courage to embrace change. Inspired by nature's quiet transformations, the painting reflects a journ...
Year Created:
2026
Subject:
Mediums:
Mediums:
Mixed Media, Encaustic on Other
Rarity:
One-of-a-kind Artwork
Size:
11.8 W x 11.8 H x 0.8 D in
Ready to Hang:
Yes
Frame:
White
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United Kingdom.
Customs:
Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
Need more information?
Contact us.Need more information?
Contact us.Angela Vitosinscaia is a UK-based Moldovan artist working primarily with encaustic and mixed media. Her
practice developed through an exploration of wax as both a physical material and a metaphor for memory,
transformation and preservation.
She combines beeswax, pigments and fire with materials including lime, sand, fabric, natural elements and
alcohol inks, creating layered, tactile surfaces that move between abstraction, landscape and memory.
Angela Vitosinscaia is a member of International Encaustic Artists (IEA), Encaustic Hive UK, Milton Keynes
Society of Artists (MKSA), alongside other UK arts organisations. Her work has been presented in the UK and
internationally. Her current practice is structured around Seven Healing Layers, an evolving framework
exploring memory, displacement, identity and emotional transformation.

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