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"Spring Barcelona" Artwork

→ Maria Lapteva, Serbia

Mixed Media, Acrylic on Canvas

19.7 W x 19.7 H in

Ready to Hang

$530

→ Shipping Included

→ 14-day free returns

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

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I've only been to Barcelona twice, but I feel incredibly comfortable. It always seems like she left home, but now I'm finally back here. The theme of travel is very close to me and in my paintings I want to convey the beauty of European cities, mood, freedom and an incredible sense of joy. I am not ...

Year Created:

2023

Subject:

Mediums:

Mixed Media, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

19.7 W x 19.7 H x 0.8 D in

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Serbia.

Customs:

Shipments from Serbia may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Maria Lapteva

About the Artist

Maria Lapteva

Serbia

I work at the intersection of art and craft. My tables and sculptures are acts of functional abstraction—compositions that inhabit not only the wall but also the cadence of everyday life.

At the core of my practice are resin tubes—architectural modules through which I orchestrate rhythm, depth, and translucency. This visual language allows me to translate abstraction into matter, to stage a dialogue between the history of art and the immediacy of contemporary experience.

Each collection is a conversation with the masters of abstraction. From Pollock I inherit the energy of gesture, from Rothko the abyss of color, from Mondrian the rigor of structure. I do not quote them; I respond to them—asking what abstraction means today, when it can be not only seen but also touched.

My works blur the threshold between furniture and art. They are not mere surfaces for objects, but autonomous scores of light and color—living both in the intimacy of the home and the resonance of the gallery.

Recognition:

  • Artist featured in a collection

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