"Between Two Worlds" Painting
Painting, Acrylic on Canvas
31.5 W x 47.2 H in
Ships in a Box
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$2,480
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ABOUT THE ARTWORK
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“Between Two Worlds” captures a solitary bird at the edge of vivid blue water, suspended in a quiet moment between land and water. The surrounding rocks, reflections and swirling strokes dissolve the boundary between solid form and moving surface, creating a sense of continuous motion around the sti...
Year Created:
2025
Subject:
Mediums:
Painting, Acrylic on Canvas
Rarity:
One-of-a-kind Artwork
Size:
31.5 W x 47.2 H x 0.8 D in
Ready to Hang:
No
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Switzerland.
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About the Artist
Hanna Afanasieva
I paint what makes me stop and look twice.
It can be the movement of fish beneath the surface of water, the silhouette of a tree, a road disappearing into the landscape, or a quiet place that most people would simply pass by. I am interested in the moment when something ordinary suddenly reveals its character.
I was trained in classical painting, but I do not want technique to become the subject of my work. For me, technique is a language. What matters is what remains after the first impression: a mood, a memory, a feeling of movement or stillness.
Nature has always been central to my work. I do not see it as a background for human life, but as something with its own presence and rhythm. Water can become a space where different lives and directions meet. A tree can feel almost like a portrait. A landscape can hold a memory without showing a single person.
After moving from Ukraine to Switzerland, my visual world changed. Mountains, lakes, unfamiliar light and new landscapes entered my paintings, while the sensitivity shaped by the places I came from remained.
I paint intuitively. I can begin with something I have seen, but I allow the painting to change while I work. I am not looking for a perfect copy of reality. I am looking for the point where a real place or image becomes something personal.
I want my paintings to work in the same way: first you see them — and then, perhaps, you stop and look again.
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