VIEW IN MY ROOM
South Korea
Painting, Oil on Canvas
Size: 38.1 W x 45.9 H x 1 D in
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This painting was strongly influenced by the emotions I got from the novel The 'Witcher' I recently read. Through my work, I hope to communicate the will of an individual intimately without talking. In a way, humans wondered if the latent magic could really move the world. This painting is a work that is attractive for its simple introspection through my story about that strange and valuable power. The overall images that make up this painting are the shell and the nucleus. I tried to express something that can only be seen after being refined and peeled off. This painting is particularly sharp, but it is an abstract painting that stands out in the strength of the very slow moving force, and viewers can feel the power that is the core of Abstract Expressionism. Influenced by Joan Mitchell, but more of a human will. It relies less on gravity, a kind of law of nature.
Painting:Oil on Canvas
Original:One-of-a-kind Artwork
Size:38.1 W x 45.9 H x 1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:South Korea.
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South Korea
" Noble simplicity and Great silence imply history and existence. I'm constantly digging for that quiet place. " I was born in Seoul and have loved drawing since I was a child, so I honed my skills in representation, perspective and depiction for a long time. I majored in Western painting at Sungshin Women's University in Korea and went to graduate school to specialize in painting. For two years, I imitated the light of Post-Impressionism and gradually developed into abstract painting. While attending graduate school, I copied or studied Bonnard, Monet, Kandinsky, and Bartok (music). Then, I am convinced that I have to go with pure formative beauty until now, and as a philosophical approach, I am working with a baroque exaggeration and continuity as well as an exploration of what human play is fundamentally. I want to talk about human freedom with tension orchestrated around a few bold actions while being conscious of off-screen. The gesture of my brush in the painting is a part of my baroque taste, as if one day, I painted it as if I was longing for a dramatic connection between the past and the current event. In the middle, I came to associate a landscape with clarity and boundaries, and the landscape tried to become a piece of music by arranging and connecting accumulated memories on a flat surface with colors. https://www.lydia-lee.com/
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