VIEW IN MY ROOM
This painting was strongly influenced by the emotions I got from the novel The 'Witcher' I recently read. Through my work, I hope to communicate the will of an individual intimately without talking. In a way, humans wondered if the latent magic could really move the world. This painting is a work that is attractive for its simple introspection through my story about that strange and valuable power. The overall images that make up this painting are the shell and the nucleus. I tried to express something that can only be seen after being refined and peeled off. This painting is particularly sharp, but it is an abstract painting that stands out in the strength of the very slow moving force, and viewers can feel the power that is the core of Abstract Expressionism. Influenced by Joan Mitchell, but more of a human will. It relies less on gravity, a kind of law of nature.
Print:Giclee on Fine Art Paper
Size:8 W x 10 H x 0.1 D in
Size with Frame:13.25 W x 15.25 H x 1.2 D in
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
" Noble simplicity and Great silence imply history and existence. I'm constantly digging for that quiet place. " I was born in Seoul and have loved drawing since I was a child. I honed my skills in representation, perspective and depiction for a long time. I majored in Western painting at Sungshin Women's University in Korea and went to graduate school to specialize in painting. After studying Western painting techniques and artistic aesthetics at Sungshin Women's University, I seriously considered musical expression in painting during my MA course. I imitated the light of Post-Impressionism and gradually developed into abstract painting. I started looking into the techniques of Bonnard, Monet, Kandinsky, and Bartok (music) that expressed movement in light. So I went from impressions to improvisation and composition. and as a philosophical approach, I am working with a baroque exaggeration and continuity as well as an exploration of what human play is fundamentally. The context that crosses this expression from impression to abstraction is based on freedom and human will. I want to talk about human freedom with tension orchestrated around a few bold actions while being conscious of off-screen. The gesture of my brush in the painting is a part of my baroque taste, as if one day, I painted it as if I was longing for a dramatic connection between the past and the current event. https://www.lydia-lee.com/
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