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"FIELD NOTES – ORIGINAL MINIMALIST ABSTRACT PAINTING" Painting

→ Evgenia Makarova, United Kingdom

Painting, Spray Paint on Canvas

31.5 W x 39.4 H in

Ready to Hang

$2,720

→ Shipping Included

→ 14-day free returns

Trustpilot Score

Artist Recognition

ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


"Field Notes" captures fleeting impressions of a natural landscape through vibrant, gestural marks. The soft interplay of lemon yellow, sky blue, and bright green against raw canvas evokes the feeling of sunlight flickering through grass, wind-blown petals, or shifting shadows. With delicate, transi...

Year Created:

2025

Subject:

Mediums:

Painting, Spray Paint on Canvas

Rarity:

One-of-a-kind Artwork

Size:

31.5 W x 39.4 H x 1.5 D in

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Evgenia Makarova

About the Artist

Evgenia Makarova

United Kingdom

Evgenia Makarova’s work explores the tension between fluidity and control, between the openness of colour and the impulse to interrupt, mark, or contain it.
She builds paintings through layers of colour, gesture, washes, and repeated interventions. Soft atmospheric fields are often disrupted by lines, marks, loops, grids, or structural fragments that appear to hold the image together while also unsettling it. These elements do not resolve the composition; they create a sense of pressure, movement, and instability.
Makarova is interested in the point at which a painting begins to resist order. Colour shifts, bleeds, and accumulates, while drawn or sprayed gestures act as traces of decision, correction, or disturbance.
Rather than constructing a closed visual system, she approaches painting as a place where opposing forces remain active: control and release, clarity and collapse, structure and atmosphere. The final image is not a conclusion, but a suspended state — something still forming, breaking, or changing.

Recognition:

  • Artist featured in a collection

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