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"Girl thinking lying - Ink drawing," Painting

→ Alessandro Nesci, Italy

Painting, Ink on Paper

11.8 W x 8.3 H in

Ships in a Box

This work will ship flat in a sturdy, well-protected cardboard box. Read More

$1,060

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


Girl thinking lying - ink drawing Painted on italian white paper Fabriano A4 producted in Italy. The painting on paper has natural paper ripples, determined by the technique used, which make the painting even more fascinating and interesting.

Year Created:

2019

Subject:

Mediums:

Painting, Ink on Paper

Rarity:

One-of-a-kind Artwork

Size:

11.8 W x 8.3 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Italy.

Customs:

Shipments from Italy may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Alessandro Nesci

About the Artist

Alessandro Nesci

Italy

A hard personal experience superimposed on the covid period, which changed my life forever, gave me reason to appreciate even more the strength of color, line and expression.
"The Whole goes beyond Form".
I enjoy expressing myself with different techniques: painting, drawing, photography.
I can imagine that initially the collector or the beholder of my works can be a little crowded out or confused. The hallmark of my work is not found in the repetition of the same technique, again and again, but in some features of the technique itself and. The sign, the theme, the subject... are the way you can recognize my "signature."

Living in Italy, every day I live together archeology, painting, architecture and Roman statuary, the Renaissance, the Baroque and all the other great styles, artistic periods and collections that are here, in Rome and in Italy.

This is in my history, in my roots. In the history and roots of Western art.

I have always felt a fascination for drawing since I was a child. I was fascinated by the idea of translating fantasy stories or even the first knowledge I got in school in images. I remember my notebooks: they were full of stories with drawings and illustrations of what I was learning at school.

This is the way I learned new techniques and I improved my abilities: pencil, charcoal, pen, oil-colours, acrylics, using different styles and painting supports.

I have painted soft and wavy landscapes, which sometimes are rough and separated by plains. I saw these landscapes in Rome as I was a child and they come to my mind in my every day life.

This is the Nature where History traces overlap and they get, in turn, enveloped by Nature. There is a continuous and silent conflict between these two elements.

These conflict, together with Rome and its history, its streets, its ruins and of course its colours is the leit motiv of my work.

These themes are here, at your fingertips. It's present history.

I cannot describe with words what exactly I feel when I'm surrounded by these "strong" landscapes and I try to paint them.

I have completed my knowledge on image studying and acquiring certificates on web design and commercial art and working as a graphic designer.

At the moment I work in the Public Italian School as an Art Teacher.

I took part in many collective exhibits.

My works are in private collections in Italy, Europe, Japan, USA, China, Australia.

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