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"Observer" Painting

→ Maksym Motuz, Ukraine

Painting, Oil on Canvas

15.7 W x 27.6 H in

Ready to Hang

$1,080

→ Shipping Included

→ 14-day free returns

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


Inspired by George Orwell’s "1984," this piece explores the agonizing gap between perception and action. The painting is made with oil paints. ​At the heart of the painting sits the All-Seeing Eye, typically a symbol of supreme power and surveillance. However, here the Observer is a captive. Entwi...

Year Created:

2026

Subject:

Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

15.7 W x 27.6 H x 1.2 D in

Ready to Hang:

Yes

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Ukraine.

Customs:

Shipments from Ukraine may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Maksym Motuz

About the Artist

Maksym Motuz

Ukraine

My artistic style can be described as symbolic expressionism with elements of surrealism. I work primarily with oil on canvas, building layered compositions where form and emotion are equally important. I am drawn to strong contrasts — light and shadow, fragility and aggression, silence and chaos.

My work is shaped by living in a constant state of heightened awareness, where sensitivity can feel both overwhelming and illuminating. This duality — fragility and strength — lies at the core of my artistic exploration.

In my paintings, figures often appear distorted, fragmented, or placed in surreal environments. This is intentional. I am not trying to depict physical reality — I paint psychological reality. The landscapes, creatures, and human forms represent internal states rather than external scenes.

Recurring themes in my work include mortality, fear, transformation, resilience, and the silent tension between destruction and survival. Some images may seem unsettling or intense, but they are honest. They reflect the emotional atmosphere of living in uncertain times, where anxiety and strength coexist.

I often use symbolic elements — eyes, fractured spaces, hybrid forms, exaggerated anatomy — to express awareness, vulnerability, and the pressure of existence. Mountains with eyes, distorted bodies, or surreal creatures are not fantasy for the sake of fantasy; they are metaphors for consciousness, trauma, memory, and adaptation.

There is also a strong sense of solitude in my work. Even when figures are present, they exist in isolation, confronting something larger than themselves — fate, time, or inner conflict. My paintings explore what it means to remain human when reality feels unstable.

Through texture and bold brushwork, I aim to preserve rawness. I do not seek perfection; I seek authenticity. Each stroke carries the emotional state of the moment in which it was created.

My art is a dialogue between darkness and awareness — not to glorify suffering, but to transform it into meaning.

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