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Painting, Acrylic on Canvas
Size: 39.4 W x 39.4 H x 1.2 D in
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19 Views
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Root Matrix: A Philosophical Exploration In the artwork "Root Matrix," I aimed to open a gateway to the mysterious world of origins and fundamental connections. The roots, suggested through a complex network of lines and shades, become metaphors for the foundation of our existence. They penetrate the hidden layers of the symbolic earth of human consciousness, connecting us with our spiritual and cultural roots. In this context, each line and each shade becomes a thread of our evolutionary story. The root matrix can be the point of origin for life or an idea, a place of refuge or regeneration, rebirth. It represents the invisible fabric of existence, the place from which all life springs and where it returns. Like a divine mathematics, this matrix binds us to the past, grounding the present, and shaping the future. The root matrix thus becomes a mirror of consciousness, an invitation to discover the deep layers of self and collective identity. Without imposing a static interpretation, the painting offers vast freedom for philosophical speculation. In a vibrant amalgamation of strokes and colors, I wanted to suggest the journey of roots that, detaching from the stem and the aerial world, delve into the subterranean, telluric world, representing a possible journey to our beginnings. Here, each viewer is invited to discover their own root, the unique connection to the past and the foundation of existence.
2017
Acrylic on Canvas
One-of-a-kind Artwork
39.4 W x 39.4 H x 1.2 D in
Not Framed
Yes
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For me, painting is a kind of alchemy through which I attempt to transform colors, matter, thoughts, feelings, and emotions into images, radiographs of my memory and soul. In terms of technique, the painting I create at the moment, although it can be categorized within the realm of gestural art and abstract expressionism, is not driven by spontaneity, primary creative impulses, or chance. Undoubtedly, these elements define to some extent the majority of my works, but they emerge in the middle and final stages of painting as adjustments or deliberate interventions, carefully passed through the filter and analysis of self-evaluation and requirements more cerebral, analytical rather than spontaneous and accidental. I say this because in my works, I start with a predetermined composition and a plan for the stages of creation and the steps to be taken. The gestural aspect of my painting is merely the result of the chosen visual language, the technique of rendering, and representation. Thus, elements of visual language based on gesturalism, chance, and accident are not foundational to the conceptual and compositional aspects of the work; they are elements that only contribute color, form, and dynamics.
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