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"Ruelle à Ostuni" Painting

→ Sylvie Julkowski-Egard, France

Painting, Oil on Canvas

18.3 W x 21.9 H in

Ships in a Box

This work will ship flat in a sturdy, well-protected cardboard box. Read More

$890

→ Shipping Included

→ 14-day free returns

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ABOUT THE ARTWORK

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Antique door with a baroque frame, located in the small town of Ostuni in Puglia (Southern Italy). This type of imposing door is extremely common in Italy. The subject has been treated with brush and knife with a turquoise color dear to the painter.

Year Created:

2016

Subject:

Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

18.3 W x 21.9 H x 0.8 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

France.

Need more information?

Contact us.

Need more information?

Contact us.
Sylvie  Julkowski-Egard

About the Artist

Sylvie Julkowski-Egard

France

Born in Courrières in Northern France, she divides her time between the North of France and Paris, which inspires her many urban scenes, including café terraces.
She works in series, drawing inspiration from her surroundings and the places she frequents.
In the “Reflections on the passing of time” series, she treats cars and Vespas in the manner of the “vanities” of the past, perforating and rusting the bodywork to reflect the passage of time, which is reducing once-prestigious vehicles to nothing. The parallel with our own existence is obvious.
In the “Mes petites Nanas” series, she interprets scenes and situations using her daughter as a model (La comédie des sentiments, Alter Ego, etc.).
In the Portraits series, she portrays women not as a pretext for political, social or philosophical discourse, but as part of the creative process itself. They allow her to give free rein to her creativity, to go further in the realization and to add a poetic dimension to the work. By blending tradition and modernity, juxtaposing realistic elements and abstract motifs, a fusion is created between the tangible and the intangible.

Recognition:

  • Artist featured in a collection

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