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"The Rustle" Painting

→ Tamara Budai, Ukraine

Painting, Oil on Canvas

26 W x 26 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

$1,178

→ Shipping Included

→ 14-day free returns

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


The Rustle was born from observing the wind moving through dry grass. There are moments when nature speaks almost inaudibly — through the movement of air, a shift in light, a barely perceptible sound. It was this feeling that I wanted to preserve in this work. Its layered texture and natural palett...

Year Created:

2025

Subject:

Mediums:

Painting, Oil on Canvas

Rarity:

One-of-a-kind Artwork

Size:

26 W x 26 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Netherlands.

Need more information?

Contact us.

Need more information?

Contact us.
Tamara Budai

About the Artist

Tamara Budai

Ukraine

With gratitude to my daughter.
Without her, this journey might never have begun.


I am a self-taught artist. My artistic practice has evolved outside formal academic training, shaped by observation, research, and personal experience. For more than thirty years, I worked in the fields of law and finance, where I learned to think systematically, recognize connections, and search for the inner logic of complex processes. Today, this experience naturally continues to live in my art.

I was born in Ukraine and today live between Ukraine and Europe. The personal experience of displacement and rethinking my place in the world has become part of my artistic journey, but it does not define it completely. Rather, it has strengthened my interest in the questions that have long been at the center of my work: memory, identity, belonging, and the invisible connections that unite human beings with the world around them.

I am interested not so much in depicting reality as in exploring its inner structures — those that cannot be seen directly but can be deeply felt. Nature, memory, personal mythology, and symbols become interconnected elements in my work, allowing me to explore the subtle spaces between the visible world and the inner landscapes we carry within ourselves. Through these connections, I seek to reveal the quiet dialogue between human experience and the natural world — between what surrounds us and what resonates within us.


Among the various directions of my artistic practice is the long-term research project DNA. Using the image of the fingerprint as a universal visual metaphor, I explore the relationship between the individual and collective memory, cultural roots, and national identity. In this project, the biometric structure becomes an artistic language that allows me to speak about origins, cultural heritage, the experience of displacement, and human uniqueness.

I do not search for ready-made solutions. For me, each work is not an illustration of an idea, but an exploration. Sometimes quiet. Sometimes unexpected. And always honest.

I do not strive to belong to any particular artistic movement. Each work finds its own language and its own rhythm. For me, form emerges from the idea and intuition, rather than from a predetermined style.


I believe that art can gently transform the atmosphere of a space. Not through spectacle, but through presence. Through that quiet moment when something familiar suddenly begins to feel different.

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