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Ready to Hang

Ready to hang

Both the concept and the feeling we have about Time has always occupied a good part of my thoughts and study.
Not only as a relative duration of things that creates the idea of the present, past and future, but also as our essence.
I have, in some moments that time is nothing more than a dip in something dark and at the same time illuminated. Every thousandth of a second we dive into this unknown world of time.
Ready to Hang

Ready to hang

Both the concept and the feeling we have about Time has always occupied a good part of my thoughts and study.
Not only as a relative duration of things that creates the idea of the present, past and future, but also as our essence.
I have, in some moments that time is nothing more than a dip in something dark and at the same time illuminated. Every thousandth of a second we dive into this unknown world of time.
Ready to Hang

Ready to hang

Both the concept and the feeling we have about Time has always occupied a good part of my thoughts and study.
Not only as a relative duration of things that creates the idea of the present, past and future, but also as our essence.
I have, in some moments that time is nothing more than a dip in something dark and at the same time illuminated. Every thousandth of a second we dive into this unknown world of time.
Ready to Hang

Ready to hang

Both the concept and the feeling we have about Time has always occupied a good part of my thoughts and study.
Not only as a relative duration of things that creates the idea of the present, past and future, but also as our essence.
I have, in some moments that time is nothing more than a dip in something dark and at the same time illuminated. Every thousandth of a second we dive into this unknown world of time.
Ready to Hang

Ready to hang

Both the concept and the feeling we have about Time has always occupied a good part of my thoughts and study.
Not only as a relative duration of things that creates the idea of the present, past and future, but also as our essence.
I have, in some moments that time is nothing more than a dip in something dark and at the same time illuminated. Every thousandth of a second we dive into this unknown world of time.

169 Views

26

View In My Room

"The Time" Painting

Catia Goffinet

Brazil

Painting, Acrylic on Canvas

Size: 47.2 W x 11.8 H x 0.4 D in

Ships in a Box

$1,470

Shipping included

FREE 14-Day Returns

Trustpilot Score

169 Views

26

Artist Recognition
link - Showed at the The Other Art Fair

Showed at the The Other Art Fair

link - Artist featured in a collection

Artist featured in a collection

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Ready to Hang Ready to hang Both the concept and the feeling we have about Time has always occupied a good part of my thoughts and study. Not only as a relative duration of things that creates the idea of the present, past and future, but also as our essence. I have, in some moments that time is n...

Year Created:

2021

Subject:
Mediums:

Multi-paneled Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

47.2 W x 11.8 H x 0.4 D in

Number of Panels:

2

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Brazil.

Customs:

Shipments from Brazil may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Need more information?

Catia Goffinet (b. 1973, São Paulo, Brazil) is a visual artist whose practice moves between geometric abstraction and figurative painting, exploring tensions between order and instability. In her geometric series, she investigates light and shadow as structural elements that shape perception, creating minimal compositions that evoke balance, silence, and spatial expansion. In parallel, her paintings on aluminum introduce the human body as a point of rupture. Figures in states of falling or suspension traverse rigid surfaces, creating a friction between the permanence of the material and the instability of human experience. The aluminum, often associated with precision and durability, becomes a field where the body reveals moments of transition, displacement, and loss of control. Her work operates through contrasts such as lightness and weight, control and surrender, permanence and transformation, focusing on the threshold where something ceases to hold and another possibility begins to emerge.

Artist Recognition
Showed at the The Other Art Fair

Handpicked to show at The Other Art Fair presented by Saatchi Art in Virtual, Virtual, Brooklyn, Los Angeles

Artist featured in a collection

Artist featured by Saatchi Art in a collection

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