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Painting, Acrylic on Canvas

47.2 W x 59.1 H in

Ships in a Crate

This work will ship in a secure wooden crate. Read More

$11,390

→ Shipping Included

→ 14-day free returns

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Artist Recognition

ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


You can find detailed accounts of my process and the materials I use on my wordpress blog or contact me on insta

Year Created:

2025

Subject:

Mediums:

Painting, Acrylic on Canvas

Rarity:

One-of-a-kind Artwork

Size:

47.2 W x 59.1 H x 1.6 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Outdoor Safe:

No

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Jon Whitbread

About the Artist

Jon Whitbread

United Kingdom

I am an artist based in Brixton, South London where I have lived for 30 years. I studied at the City and Guilds School of Art, Kennington and received my MA (Merit) in Fine Art from the University of Creative Arts in 2019. I worked as a stone mason and carver in and around London for 17 years and taught carving and sculpture at the Building Crafts College, London for 10 years. I am a published poet.


I am interested in the data that flows to and fro across the porous border between the conscious and the unconscious mind and how we can be oblivious to this or probe it for meaning, truth and certainty. I am interested in the limitations of language in this transaction and our dependence upon it, and I am interested in what tools, processes and materials have to say. 

Working with minimal planning, I allow behaviour and material to engage with each other in cyclic mutual activation removing narratives, concepts and certainty from my work and getting lost in a labyrinth of making to better investigate notions of the equivalence of absence and presence, of the unseen windowed by the seen.

Recognition:

  • Artist featured in a collection

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