






Photography, C-Type on Paper
24 W x 18 H in
Ships in a Tube
This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
Our worlds can become very internalised, to the point where we just identify what's before us instead of seeing it. One job of the artist is to see what is there and to share that with others. Sometimes what is seen is superimposition of different realities. Sometimes that is a confusion, sometimes ...
Year Created:
2026
Subject:
Mediums:
Photography, C-Type on Paper
Rarity:
Limited Edition of 10
Size:
24 W x 18 H x 0.1 D in
Ready to Hang:
No
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships Rolled in a Tube
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
The purchase of photography and limited edition artworks as shipped by the artist is final sale.
Handling:
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
United Kingdom.
Customs:
Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
Need more information?
Contact us.Need more information?
Contact us.I first picked up a camera over sixty years ago and a lot has changed since then – on both sides of the lens! I’ve always been fascinated by people, so for a lot of years I've been a documentarian, a subject that delights me but I’ve gradually refocused on the less tangible elements of light, shade and texture – the complex but more subtle relationships that are changing and evolving moment by moment. Fleeting changes are opportunities to catch passing magic in the natural or more personal landscape – there’s a argument to be made that a picture as essentially an arrangement of shapes and tones and it’s the relationships of those shapes and tones that interest the viewer. Some of my favourite work is bordering on the abstract. If you include people, of course, the entire scene is overtaken by the inner worlds of those involved.
At different times, I become fascinated by a new viewpoint: the juxtaposition of different spaces afforded by the presence of reflections, for instance. Or the way that the relationships between different elements in a landscape change as the light decreases after sunset. Recently, I’ve happened upon some publicly available facts that have shocked me and I’ve been moved to use images to interpret them in a visual way that might communicate to a wider audience; this is opening new possibilities for visual communication and connection that are completely different and proving to be an exciting exploration.

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