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Photography, Black & White on Paper
Size: 47.2 W x 31.5 H x 0.1 D in
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TOSTF stands for The Other Side of the Flora. These photos were taken in a garden on Büyükada, Istanbul, Turkey in the summer of 2020. The intention was to look at the flora with a different perspective by enforcing selective focus. A subset of the resulting images were processed on Photoshop with a set of custom developed filters for visual consistency. These filters are intended to bring out the textural essence in the subject matter in a surreal setting. This is a short photo journey of alternate perception. The photographs in this collection were published as an electronic book on various platforms under the title of In the Garden: The Other Side of the Flora. The links for the book are as follows: Google Books --- ?id=NDz1DwAAQBAJ&redir_esc=y Istanbul, 2020 ... It is offered on Saatchi Art as 1 of 1 artwork and Open Print. If you buy the 1 of 1 edition, there will NOT be a physical shipment of the artwork. Instead I will send you the digital file. If the primary collector who buys the first original work wants, I will also mint a 1 of 1 NFT edition on either one of the art platforms I use or on a collection based smart contract. The artwork might also be offered as an NFT on a different platform, in such a case it will be removed from other platforms once the first 1 of 1 is collected. This works comes with full commercial rights for the collector. The creator will also retains the use of image for business and commercial uses.
2020
Black & White on Paper
One-of-a-kind Artwork
47.2 W x 31.5 H x 0.1 D in
Not Framed
Not applicable
Ships Rolled in a Tube
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Turkey.
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This island is a neutral meeting point for those initiated regardless of their alignment. With enough resources, it also has connections to other places not mentioned such as Sabara. I had managed to evade him either because at the time he couldn't access the island or he had lost track of me. In either case I took my time there and it was years later just before the Great War that I ran across him in Kabul. ... Having failed to convert the tribals to support the Germans, I fled the scene with him on my tail. We had a major fistfight in Ulanbaatar and then a deadly card game at the Corpse Eater Inn by the Everlasting Graveyard. I lost and was banished to Sabara for a long time. It was his expedition there that I used as a pretext to escape.
Artist featured by Saatchi Art in a collection
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