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"Strata VI" Print - Limited Edition of 15

→ Hannah Theiss, United States

Printmaking, Linocuts on Paper

24 W x 18 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

This artwork is not for sale.

ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


Thousands of lines form this Strata study. Inspired by nature’s patterns found in layers of the Earth, topographic maps, rings of a tree, and as small as a fingerprint.

Year Created:

2019

Subject:

Mediums:

Print, Linocuts on Paper

Rarity:

Limited Edition of 15

Size:

24 W x 18 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Contact us.

Need more information?

Contact us.
Hannah Theiss

About the Artist

Hannah Theiss

United States

My art practice is formed around the collaborative dance between humanity and the natural world we so briefly inhabit. I find inspiration in the patterns and markings of time found in shell ridges, tree rings, and sedimentary layers below our feet, each depicting a unique and never-replicable story.

My process allows for the natural world to leave its fingerprints next to my own: encouraging ink to run and dry as it pleases; allowing material to tear without controlling its path; capturing the shadow of netting moving in the breeze in a cyanotype. I often take a back seat to what emerges, responding with my own structure, arrangement, or interpretation. My work seeks to highlight the undeniable importance—and impact—of our human presence as a part of our collective story.

Although my initial artistic focus was in printmaking, I have since grown to explore many other disciplines, seeking not to become an expert in any one, but to instead study and refine a breadth of techniques and processes to inform my work. I take pride in my experimentation, never letting rules or what’s traditionally expected to determine my process. I employ formal disciplines, including printmaking, painting, and drawing, alongside undefined experimentations with glue, ink, graphite, paper, and collage. My work combines my own abstractions with referential natural textures, sometimes affecting them with ripping, cutting, and collage, amplifying the story of each material and texture into a larger, collective story.

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