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Instrument 3 Sculpture - Limited Edition of 2

Sallyanne Morgan

Ireland

Sculpture, Cast Cement And Ferrous Materials, Guitar Strings, Violin Bridge.

Size: 14 W x 38 H x 12 D cm

Ships in a Crate

This artwork is not for sale.

55 Views

2

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Fourth part of the Instrument series I began in 2020, based on an idea around female self consciousness verses societal constructs. Polished smooth surface with guitar strings and very delicate wood violin bridge.

Year Created:

2021

Subject:
Method:

Multi-paneled Sculpture, Cast Cement And Ferrous Materials, Guitar Strings, Violin Bridge.

Rarity:

Limited Edition of 2

Size:

14 W x 38 H x 12 D cm

Number of Pieces:

2

Ready to Hang:

Not Applicable

Frame:

Not applicable

Authenticity:

Certificate is Included

Packaging:

Ships in a Crate

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

The purchase of photography and limited edition artworks as shipped by the artist is final sale.

Handling:

Ships in a wooden crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Ireland.

Need more information?

Need more information?

I work with ferrous cement, a blend of white Portland cement, marble dust, sand, colour pigment and other fibers, this mix is then applied directly to metal armature or cast from clay models. My work attempts to distil and freeze in time a moment of emotional expression captured in form. I work from the inside out, matching internal narratives with outward postures. Or from the outside in – observing people and reflecting their stories back. The ruggedness of this material often contrasts with its thematic content, strength, and fragility. The texture of the work is a key aesthetic, while also altering limbs - to enable figures to appear both realistic and surreal. I hope the viewer attaches to the familiar and be curious by elements that may not seem to fit.

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Siting Wang, Associate Curator