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"Nude Study — Reclining, No. 3" Drawing

→ Pierre Marcel Aerts Estate, France

Drawing, Pastel on Paper

25.6 W x 19.7 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

$465

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A reclining female nude in coloured pastel on tinted paper, signed and dated 2001. The figure lies with legs raised, seen from behind — a dynamic pose that breaks from the classical frontality of Aerts' earlier figure studies. Working in warm ochres, pinks and sanguine, Aerts traces the body wi...

Year Created:

2001

Subject:

Mediums:

Drawing, Pastel on Paper

Rarity:

One-of-a-kind Artwork

Size:

25.6 W x 19.7 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

France.

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Contact us.

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Pierre Marcel Aerts (1928–) was a French figurative painter and committed colourist, whose work unfolds at the intersection of light, landscape, and the human form. Born near Liège, Belgium, he devoted his life to painting rooted in the slow rhythms of nature and the rigour of classical training.

Aerts studied at the Académie des Beaux-Arts de Liège before moving to Reims, where he deepened his practice from 1950 to 1958. He completed his formation in Paris at the Grande Chaumière, remaining there until 1967 — absorbing the discipline of the atelier while developing a voice unmistakably his own.

His paintings draw from the landscapes of the Champagne region: wintry marshes, valleys wrapped in melancholy light, bare trees rising against turbulent skies. Working in oil with a palette knife and brush in rare combination, Aerts translated raw emotion into paint with exceptional control. His parallel body of work devoted to the nude figure reflects the same rigour — a studio discipline centred on light, volume, and bodily presence.

His debut solo exhibition, held in May 1963 at the Galerie Saint-Placide in Paris, drew immediate acclaim from critics and the public alike. Over the following decade, he received numerous distinctions and became a Sociétaire of the Artistes Français. He was awarded the Knight of the Order of the Palmes Académiques in recognition of his contribution to French artistic life.

This account is managed by the artist's estate. All works are original artworks offered by his universal legateeDinant

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