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"Triptych 3 - Framed" Collage

→ Lisa Roberts, United States

Collage, Paper on Fine Art Paper

37 W x 28 H in

Framed, Ready to Hang

$3,195

→ Shipping Included

→ 14-day free returns

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


I work in cut paper. Color is the driving force, and I select colors to evoke a mood

Year Created:

2022

Subject:

Mediums:

Collage, Paper on Fine Art Paper

Rarity:

One-of-a-kind Artwork

Size:

37 W x 28 H x 1 D in

Ready to Hang:

Yes

Frame:

White

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United States.

Need more information?

Contact us.

Need more information?

Contact us.
Lisa Roberts

About the Artist

Lisa Roberts

United States

Originally trained as an architect, Lisa found a greater passion for graphic and product design. Over three decades, she designed in the gift and home furnishing markets for more than 50 diverse manufacturers. Her designs were applied to dinnerware, textiles, paper tableware, clocks, watches, wrapping paper, greeting cards, and many more.

She also created meticulous cut paper collages of architecture and interiors that were reproduced onto notecards and branded products for museum stores and hotels. Private clients commissioned her to create portraits of their homes.

Intermittently, Lisa took breaks from designing and wrote four books about contemporary product design: Antiques of the Future, DesignPOP, Mr. Waffles Loves Design, and What is Good Design: A simple question without a simple answer. She was also featured in a TV docu-series titled, “My Design Life.”

In 2020, during the pandemic, Lisa’s work changed direction again. She let go of the constraints of product and architecture, and evolved into abstract art. With her love of color and working in cut paper, she found respite in abstraction. She loved the ‘high’ she got when putting just the right colors together and then letting them tell her where to go.

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