"Prediction 009" Artwork
Digital, Digital on Glass
15.7 W x 23.6 H in
Ready to Hang
$1,770
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
Prediction 009 (Part 1 of “Trinity”, Triptych) New Media: AI/generative collage Original Giclée: Digital Art Collection: Prediction 000 Original Created: 2022 Size: 40x60 cm Shipping: Ships in a Box Materials: 4-6 mm Original-PLEXIGLAS® UV and moisture resistant NFTs:
Year Created:
2022
Subject:
Mediums:
Digital, Digital on Glass
Rarity:
One-of-a-kind Artwork
Size:
15.7 W x 23.6 H x 0.2 D in
Ready to Hang:
Yes
Frame:
Not Framed
Authenticity:
Certificate is Included
Packaging:
Ships in a Box
Delivery Cost:
Shipping is included in price.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
Free returns within 14 days of delivery. Visit our help section for more information.
Handling:
Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:
Germany.
Customs:
Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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Contact us.Need more information?
Contact us.
ABOUT ME
Alfred Stoll (Alex Alfred Sol Gluhov, b. 1993, Temirtau, Kazakhstan) is a Nuremberg-based digital artist and media designer. Since 2020, Stoll has worked across photography, digital painting, generative art and media installation. The practice addresses the body, identity and contemporary aesthetics through metamodernism, using augmented reality, drawing, collage and moving image to reframe familiar visual languages. In 2023, Stoll published the Metamodern Art Manifesto.
Stoll’s work has been presented in Germany, Greece and the US, including Kunstlerhaus, Nuremberg; Haus des Deutschen Ostens, Munich; kultur.lokal.fuerth, Fuerth (including the 2026 solo exhibition “Transgression durch Hoffnung,” a black-and-white photography series); Domatio Art Space, Athens; Haze Gallery, Berlin; and Chimaera Gallery, Philadelphia.
PRACTICE
Working across photography, digital painting, generative art, moving image and spatial installation, my practice investigates how bodies, identities and desires are re-authored once images pass between physical and digital space. Photographic and moving-image fragments, projections, screens and augmented-reality elements function as unstable interfaces — at once documents, surfaces and sites of encounter, never settling into a single, fixed reading.
ARTIST STATEMENT
My work operates from metamodernism — a mercurial condition between and beyond irony and sincerity, oscillating between subjective and objective, past and present, virtual and real. Rather than resolving these tensions, I hold them in “Schwingung”: a continuous vibration between poles that refuses fixed truth, fixed reason, fixed tragedy or comedy. This oscillation gives rise to what I call, following the metamodern manifesto I published in 2023, a “new romanticism” — one in which the artist’s own authenticity, rather than any external doctrine, becomes the work’s structural foundation.
Recognition:
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