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"Red Circular" Drawing

→ Cintia Garcia, Spain

Drawing, Pencil on Paper

58.7 W x 58.7 H in

Ships in a Tube

This work will ship in a dent-resistant tube. Rolled works can easily be restretched. Read More

$2,380

→ Shipping Included

→ 14-day free returns

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ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


“Red Circular” is the fourth drawing from the last year from my series “10 Billions Lines (2011-2017)”. In fact, this artwork belongs to my investigation between traces and body performance. When I chose the color palette, I was searching how the red connected with an organic presence. So, this won...

Year Created:

2017

Subject:

Mediums:

Drawing, Pencil on Paper

Rarity:

One-of-a-kind Artwork

Size:

58.7 W x 58.7 H x 0.1 D in

Ready to Hang:

Not Applicable

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

Spain.

Customs:

Shipments from Spain may experience delays due to country's regulations for exporting valuable artworks.

Need more information?

Contact us.

Need more information?

Contact us.
Cintia Garcia

About the Artist

Cintia Garcia

Spain

Can a line remain a line and nothing more?

My work began with this simple question. Born in Argentina and trained in visual arts, my practice developed through a long engagement with drawing, repetition, and rule-based procedures. Since moving to Europe, my work has gradually shifted from gesture toward structure.

Rather than representing external subjects, I construct simple systems—repeated lines, tensioned strings, or grid-based processes—to observe how order appears and how it begins to dissolve. Each work follows a set of constraints that allow subtle variations and interruptions to occur.

I work on linen prepared with thin layers of gesso so the surface remains present. The ground is not neutral; it carries traces and irregularities that participate in the image. Emptiness functions as an active field rather than a void.

Through repetition the line gradually ceases to describe and begins to organize space, allowing the image to exist less as expression and more as a system where perception can slow down and unfold.

Recognition:

  • Artist featured in a collection

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