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Drawing, Graphite on Paper

11 W x 16.9 H in

Ships in a Box

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$905

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ABOUT THE ARTWORK

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The line is a regularly recurring element in my work combined with the use of a humble and very traditional drawing tool, the graphite pencil. My work is an exploration of the possibilities of abstract line drawings and an examination of the relationship between seeing, perception and understanding ...

Year Created:

2020

Subject:

Mediums:

Drawing, Graphite on Paper

Rarity:

One-of-a-kind Artwork

Size:

11 W x 16.9 H x 0.2 D in

Ready to Hang:

No

Frame:

Not Framed

Authenticity:

Certificate is Included

Packaging:

Ships in a Box

Delivery Cost:

Shipping is included in price.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

Free returns within 14 days of delivery. Visit our help section for more information.

Handling:

Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.

Ships From:

United Kingdom.

Customs:

Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.

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Contact us.

Need more information?

Contact us.
Hanna Ten Doornkaat

About the Artist

Hanna Ten Doornkaat

United Kingdom

born in Heidelberg, Germany
Living and working in UK

My intricate drawings explore mark-making as compound memory. Constructed from layer upon layer of rectilinear geometries, obsessively serialised marks and lines, my work incorporates process as signifier of human response to both the experiential, as defined by materials and memory, and the mind’s abstract construction of form
and meaning.

These are the words used by art historian Martin Kerrison who wrote about my work. Simply said I am interested in serial mark making and memory.

More recently my work has been described as follows:
"Between passivity and action. Hanna’s linear proposals not to primal marks. They are straightforward and not at all, as they project and deny a complexity of the art making process. Paint and graphite are adhered at different stages then often partially removed. The aesthetic derived from their removal is not entirely in the artist’s control. The result is the reveal of a process of assertion and denial.” extract from an essay by Jillian Knipe, artist and writer

Recognition:

  • Featured in the Catalog

  • Showed at the The Other Art Fair

  • Artist featured in a collection

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